i have to say that when i saw him from across the street, i knew i was staring at a big server, but i got nervous and forgot his name. he was very, very nice about it and let me take his photo...
he plays ryan harrison in the first round...should be a good one to watch...
zipping through the park this morning, i spied aaron sanchez (with crew and all, hard not to notice) and snapped this photo for my friend z, who at some point in time, had a little thing for him. i didn't know if he was shooting a commercial, or a food network veggie segment, or a heat seeker's segment. no time to stick around--i just wanted the photo for her.
she's apparently no longer keen. but i sent word about the sighting through my little social media network and i soon found out that a colleague of mine from years ago, rafael, who runs the amazing showdown pictures, just finished wrapping the show that they were in the park shooting this b-roll for."aaron loves new york" will debut on the spanish language channel utilisima this fall.
yay for showdown!
and: if the show gets picked up for season 2, i think i get to visit the set...
when love--la famiglia--comes to town, sometimes they stay at a fancy new, five-star, fifth ave hotel, where they serve popcorn with truffle oil and the mirrors in the bathroom have tvs in them. but wherever they stay, wherever they are, i always have so much fun...
photos from the fancy, friday night:
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my cousin asked me if i'd done some modeling for the hotel book:
i could see why he thought to at least ask the question...when my hair was just a bit shorter...
i've had a lucky month for freelance work, but i was particularly grateful that my job yesterday took me outside for "summer streets," otherwise i might have missed it this year entirely. (where has the month gone?) mother nature definitely saved the best for last: it was warm, with none of the despairing humidity that marked most of this ny summer. for me, it was a tonic for what had been a grinding week.
i loved the chance to see the different sunshine and the different energy between nolita in the early morning and park avenue in the early afternoon. and i loved the view from the metlife/helmsley underpass -- at the time i was there, i caught the last of the daylight streaming in on the uptown side, making for a really romantic view. i was surprised at how good it made me feel to see new yorkers taking over the streets to enjoy a simple thing: summer sun.
ah ha! i knew if i trolled the internet long enough i'd find my favorite version of this song (on disc 5 of the 50s masters). elvis is one of my favorite dancers of all time--i'll take his cool shimmy over gene kelly's happy tapping any day of the week. too bad there aren't any videos (that i can find so far) of him performing this one.
in my experience, this provides a great soundtrack for all the things you don't want to do around the house (dusting, mopping, dusting). chores go a lot quicker when you're dancing. unless you dance too much. then it takes all day...
i recently read an article that offered advice to young photographers. (i took it all to heart--and took "young" to mean "new.") of all the encouraging notes, one stood out: from chris steele-perkins, "take a lot of photos....be depressed by them."
and then i did it.
i've been working on a project for a colleague--doing it for the cause (he needs photos for a custom pub for a cancer fundraiser) and the experience (shooting landscapes). the only two mandates from the creative director were location (the saugatuck river/long island sound) and mood ("moody"). he trusted my eye and skill for the rest. i spent the better part of two saturdays making my way up to connecticut. i took hundreds of shots, from land and sea, and had a pretty fun time doing it.
here's the depressing part: i'm not sure if i have 10 to give him.
but i haven't had the heart to go through them all closely, either.
of course the weather didn't really cooperate (saturday 1 was perfectly sunny; saturday 2 was thunderstormy--but there were barely any clouds. the sky gave color in mostly single shades of blue or grey). if there were a budget for me to be a cloud chaser, which i would love, then i could probably have given something more.
but the basic and more troubling issue at this point seems to be landscape photography itself. i shouldn't have expected that my first real attempt should have come so naturally and easily. (but between you and me, i was kind of hoping it would.) how do i transform a landscape into a compelling photo? photography is about problem solving, and i'm not sure how to figure the fix for this yet. but i know that i have to take the rest of mr. steele-perkins' advice: take more...
when i have the nerve to go through the rest, and if there are some, i'll post them here.