
he's going to get his spine ripped out, apparently.
gory good fun!


i have a couple of friends who are yearning for "iced coffee" weather. and while i, too, am wondering where the hell spring is (but steadfastly refusing to pull out my winter coat again), i almost never drink iced coffee, certainly not in the morning. oh, i like it fine enough, but it's too easy to drink. and really, it has to be consumed pretty quickly lest it get depressingly watered down, like a yoo-hoo.
but vietnamese iced coffee stands apart from this phenomenon. the first few sips are shocking--it is so wonderfully, toxically thick with sweet condensed milk and that too-roasted coffee bean flavor--try to drink it too quickly, and it will send you reeling. at the very least, it could ruin your interest the meal that awaits you. you have to sip it throughout the meal, let the ice mellow it out. it seems never to get too sadly diluted.
shadrick johnson, 6, photographed by damon winter for the ny times, outside the columbia convention center in south carolina, as he waited to hear then-senator obama speak. via pulitzerprize.org and nytimes.com
i came home late from a job today, and felt completely out of touch with the world (i hadn't been online all day) and the first piece of news i read thrilled me: damon winter was awarded the 2009 pulitzer prize for feature photography. hooray!!
i posted a link to some of his slideshows a while back, and think about his work often. (i invested in a new camera a couple of days ago and my mind is aflood--even more than usual--with the work of photographers who i admire. i actually fell asleep last night thinking of damon winter's obama images...)
here are links to the "a vision of history" slideshow which can be viewed on the ny times site and the pulitzer site. also on the pulitzer site is mr. winter's bio, and of course, a full list of winners and finalists.
***
i love the look and smell of the newspaper. and the sound of it being lightly smacked and folded at its center. i love carrying it under my arm or stuffing into my bag on my way out the door--after all these years, it still feels cool, somehow (especially if you've got more than one on you). and i really like the crossword puzzle, in pencil or pen. but i am currently taking a break from receiving the new york times at home, a small change that is meant to benefit my wallet (working!), but is doing greater harm to my mind (and maybe my soul).
on the one hand, all that content--the slideshows, especially--is a feast for the curious, the infohounds. i've got a good bit of that in me. but one article can so easily lead me astray-- those slideshows (again!) and related links are so tempting, sometimes i don't finish an article, let alone think about it long enough before moving on to the next thing. i'm all over the place! with the actual newspaper, i can settle in... note-taking during or after required a bit more effort and time. even if only for the few minutes it took to find a piece of paper and pen, that time actually felt a bit thoughtful. and then there came a time when you were "done." whether you finished one article, or your favorite section, or the whole darn thing (you intrepid reader you), there was a satisfying end. i miss all that now, and don't want to imagine not having the option to have all that again.
and every time i hear about newspapers laying off staff, shrinking sections, going online only, or shutting operations for good, which is practically daily, i want to call and "un-suspend" my deliveries, as if my dollars will make an impact.
i found this video the other day: can design save the newspaper? jacek utko, a polish newspaper designer, whose redesigns of newspapers in eastern europe has increased their circulation 100%, presents an interesting case. is it too dreamy for our newspaper industry's deep-dish problems? perhaps. but it's a good dream.
save our newspapers!
here's 6 minutes of inspiration, anyway (i love the cirque du soleil bit).

"his first thought on getting out of bed—if he had any thought at all–was to get back in again." via mairakalman.com
prince albert, prince rainier, princesses stephanie and caroline, and princess grace. on holiday, 1960. photographed by alain nogues. via alain nogues/sygma/corbis at corbis.com. maybe this is less strange, but what i knew of "european style" also evolved from photos of taken of the royal family at that time. as someone who'd spent little time thinking about clothes to that point (except in the form a "lucky leotard" or tennis togs), the younger princess' style--reflective of her interest in sports--appealed to me. she was always traipsing around the alps, or hanging out at the races, in gear that seemed pretty cool.
(i tried to rock this bandanna look for waaaay too long...)
princesses stephanie and grace in gstaad, switzerland. 1980. photographed by laszlo veres. via b.d.v./corbis pro.corbis.com.
princess stephanie, 1983. photographed by laszlo veres. via b.d.v./corbis at pro.corbis.com
but everything about that continental, cosmopolitan principality and the royal family was steeped so long in sadness after princess grace's death. it was hard to look at photos and see past that.
stephanie at val d'Isere, france. january 10, 1983. photographed by stephane tavoularis. via bettmann/corbis at pro.corbis.com.
prince albert and princess stephanie. december 12, 1982. photographed by richard melloul, via richard melloul/sygma/corbis at pro.corbis.com.
but in the last few years that i've been tuning into the tennis at the monte carlo rolex open, i've loved the stunning view of and from the courts, and the tennis has been just as spectacular. it is my second favorite clay court tournament, and pretty near the top of the list of tournaments i'd like to attend. the stadium seems only as big as a high school football stadium. and then there's the sea...
but i won't lie: to see prince albert ii making appearances at matches and presiding over various ceremonies, looking older and settled and happy, gives the tournament a special allure.
monaco, a locale perhaps not ever as idyllic as the "playground for the rich" moniker would imply, does seem quite glamorous again.
rafael nadal at the 2007 monte carlo open. photographed by michael steele, april 21, 2007. via getty images, at montecarlo.masters-series.com.
andy murray, prince albert II, and rafael nadal in monte carlo, monaco. april 12, 2009. photographed by michael steele, getty images. via boston.comso, i'll spend the rest of the day and on into tomorrow, listening to elvis, and re-reading parts of this great guralnick book.
*****
the photo of elvis and yvonne lime that i posted is from the cbs site. the better version that appears in "last train to memphis" was photographed by robert williams, who also snapped this one of elvis and one of my favorite actresses:

elvis and natalie wood. october 31, 1956. by robert williams, via the commercial appeal.
elvis, march 24, 1958. photo by barney sellers via the commercial appeal.
and: happy easter...

i've been here at home, having a very typical sunday night--catching up on emails and the newspaper and "facebooking" a bit, with the tv on (sunday night baseball--muted), music playing...this song came on for the hundredth-plus time, but it somehow conveys exactly how i feel tonight.
that, and "sleep anita..."
hope you enjoy it too.
***
link to full "modern nature" track (with the "tap dancing" bit) via last fm here, and sondre lerche's website here.
and: sorry for the loud woo-hooing at the end of the videos.