Showing posts with label academy of american poets. Show all posts
Showing posts with label academy of american poets. Show all posts

Wednesday, February 29, 2012

read a good poem: travelling

"secret spot," versailles park

***

Travelling

This is the spot:—how mildly does the sun
Shine in between the fading leaves! the air
In the habitual silence of this wood
Is more than silent: and this bed of heath,
Where shall we find so sweet a resting-place?
Come!—let me see thee sink into a dream
Of quiet thoughts,—protracted till thine eye
Be calm as water when the winds are gone
And no one can tell whither.—my sweet friend!
We two have had such happy hours together
That my heart melts in me to think of it.

--William Wordsworth via poets.org

Tuesday, December 6, 2011

read a good poem: here

at the opposite end of the day....
nov 24, 2011
©anita aguilar


There is nothing concrete to grasp in
looking into the morning sky

The evidence of red-eye
flights east a plane drawn line presents

is not a wheelbarrow solid enough
dependency as day and night

carry in coming and going
You don't see the poem

saying anything you can't see in it
White dashes of contrails'

seemingly unmoving streak towards sunrise
disquiet the pale otherwise

unpunctuated blue of dawn
breaks it off Here is that silence


--by Ed Roberson via
poets.org

Tuesday, February 8, 2011

read a good poem: on the origin of things

take off, 1956.
oil and enamel on canvas
helen frankenthaler
take off (detail) ...
taken at the metropolitan museum of art, dec 3, 2009
photo © anita aguilar

***


On The Origins Of Things

Everyone knows that the moon started out
as a renegade fragment of the sun, a solar
flare that fled that hellish furnace
and congealed into a flat frozen pond suspended
between the planets. But did you know
that anger began as music, played
too often and too loudly by drunken performers
at weddings and garden parties? Or that turtles
evolved from knuckles, ice from tears, and darkness
from misunderstanding? As for the dominant
thesis regarding the origin of love, I
abstain from comment, nor will I allow
myself to address the idea that dance
began as a kiss, that happiness was
an accidental import from Spain, that the ancient
game of jump-the-fire gave rise
to politics. But I will confess
that I began as an astronomer—a liking
for bright flashes, vast distances, unreachable things,
a hand stretched always toward the furthest limit—
and that my longing for you has not taken me
very far from that original desire
to inscribe a comet's orbit around the walls
of our city, to gently stroke the surface of the stars.

--by Troy Jollimore via poets.org, february 8, 2010