Showing posts with label billy collins. Show all posts
Showing posts with label billy collins. Show all posts

Wednesday, March 21, 2012

read a good poem: today (and happy spring)

the first day of spring, 2012.
nyc

***

Today

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze

that it made you want to throw
open all the windows in the house

and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,

a day when the cool brick paths
and the garden bursting with peonies

seemed so etched in sunlight
that you felt like taking

a hammer to the glass paperweight
on the living room end table,

releasing the inhabitants
from their snow-covered cottage

so they could walk out,
holding hands and squinting

into this larger dome of blue and white,
well, today is just that kind of day.

--Billy Collins, via the poetry foundation

Friday, December 24, 2010

read a good poem: silence

at joseph leonard...jan 30, 2010
photo © anita aguilar



There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.

The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.

The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.

The silence when I hold you to my chest,
the silence of the window above us,
and the silence when you rise and turn away.

And there is the silence of this morning
which I have broken with my pen,
a silence that had piled up all night

like snow falling in the darkness of the house—
the silence before I wrote a word
and the poorer silence now.

--billy collins, via the poetry foundation

Wednesday, December 9, 2009

read a good poem: morning

tree, by robert stivers. via photoeye.

seems like a good day to stay home...

***

morning

why do we bother with the rest of the day,

the swale of the afternoon,
the sudden dip into evening,

then night with his notorious perfumes,
his many-pointed stars?

this is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—

maybe a splash of water on the face,
a palmful of vitamins—
but mostly buzzing around the house on espresso,

dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,

and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.

by billy collins
via the poetry foundation